
Danny Barer had some nice words on his blog re. our Comic Con panel. (Including this fine picture of me holding forth on Bolivian tin exports over the last two quarters. You can tell everyone's digging it.)



A mere 39 years ago, the U.S. landed on the moon in glorious black & white. (At least at our house. We didn't get color TV until 1972.) That afternoon, I'd hitchhiked out to a Chicago Forest Preserve for a picnic with some high school friends. Holding Old Style long-neck bottles in our sophomore hands, we listened to the radio as lunar module Eagle set down in the Sea of Tranquility.
By now it was evening. Inside my house, the only light was the glow of the TV. My brother, sister and parents watched the lunar module, waiting for something to happen. I'd arrived just in time. As my bruises blossomed, I saw Neil Armstrong step onto lunar soil. Wow! Someone was up there! A man was on the moon! (It must've been even more astounding to my parents.) That night, it seemed everything I'd ever read in science fiction was possible. What couldn't Mankind do?
Sustain the space program, for one. Three years later, the last manned lunar mission returned to Earth. We'd beaten the Soviets to the moon. Why keep going? Space money was needed to solve poverty and other pressing issues that money alone can't solve. I wish we'd kept going. (The spin-off technology alone would've made it worth while. ) I wish we'd pushed on into space. There is a part of Man that yearns to step across the comfortable threshold of the known and set foot in the beyond. 

For Thursday, July 24 and it says:

In Hollywood, at the Chula Arms Apartments, on July 5, 1981, the tenants decided to throw a party. Among them were the Dutchman and myself. We took a Sparkletts water bottle and filled it full of white wine, bought a ton of beer, and invited thirsty friends. We even hung out a banner facing the next door apartment. The banner suggested our neighbors alert the police and complain about the noise. Helpfully, it listed a number to call. (Though the number was for the Griffith Park Pony Rides.) In any case, the Dutchman and I started out in the afternoon, drank into the evening, walked to a nearby bar and closed it, then stopped off for a night cap in the apartment of an 88-year-old World War I veteran. After singing a rousing medley of "Over There," "It's A Long Way to Tipperary," and other period songs, the police finally showed up. They politely applauded our choral efforts, then asked us to hold it down. We did as the Dutchman and I passed out and didn't wake up until August.
In keeping with the family tradition of multiple part-time jobs, Mary McCann, has snared another radio gig. Along with djing Sunday afternoons on Seattle oldie station B97.3, Mary's now hosting the show on KPLU. Stream in Saturdays between 1:00 and 6:00 PM PST for jazz and NPR news. (But mostly jazz.)

I'm rereading Shirley Jackson's The Haunting of Hill House. Having just mentioned Norm Abrams, I thought of writing a story in which the Yankee carpenter arrives to rehang the doors in a sprawling, evil mansion. Themes would include isolation, madness and proper use of safety goggles. Maybe next month.
DVD director Troy of Trailer Park Productions emailed questions he'll use as spring boards during my upcoming interview. Fans will learn such second-season secrets as why a Saturday morning cartoon show would hire Norm Abrams to voice himself.
As to the old guy, a squad car zoomed up and almost flattened a departing cyclist, whose attention was focused on the injured man. The rider had to dump her bike at the last second to avoid becoming a grill stain. A fire truck and an ambulance arrived, lights flashing. Loading the old guy on a back board, paramedics took him to the hospital.
In addition to writing about insects, I've discovered an odd species clinging to the walls outside our condo. Over an inch long, these black and white critters have exceptionally long antennae, make no audible sound, and fly.
Pal and playwright Mitch Watson has a hit on his hands. Klub (umlaut pronunciation on the "u," — Kloob — but I can't find the character on my keyboard) takes a dark look at the world of theatre through the eyes of a bitter clown. (Portrayed by the very busy Mitch Watson.) Check it out at the Actors' Gang.
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Last night, I watched Beowulf. Maybe it looked better in 3D. As it was, I couldn't help feeling I was watching an R-rated version of Shrek. I kept expecting the donkey to appear. ("Say, Grendel, s'up with those bad ass teeth?")
Natasha and I performed a ritual mombo around mile 21.
On the subject of San Diego, as of this hour on a quiet Sunday morning, the pre-order info on the first season Freakazoid! DVD stands at:
Many junior high and high school cheerleaders lined the course. While most groups remained upbeat even to the bitter end, a few were sullen as if present under threat of a beating. Trying cheering under duress and see what comes out. Inspiring to others? Not a 100 percent, I'm thinking.
Teammates agreed that the latter miles of the marathon were made unneccesarily grim by the terrain — concrete freeway underpasses and smelly tidal inlets. Interestingly, the same company (Elite Racing) that hosts San Diego puts on the Phoenix Marathon. There also the crucial final miles wended through a bleak industrial district that looked like the terrain you see in movies where zombies attack. I suggested that Elite Racing worked with a psychologist who designed the courses to mirror the inner make-up of runners. They've certainly got beyond 20 miles down cold.
'Twas suggested I post a few episodes of my work in a pleasant spot. I've chosen here. Sadly, not everything I've written has y...