(Part one of a Write Enough
series on TV animated shows that never quite made it to air.)
With the growing success of "
SpongeBob" in 2000, the TV animation industry sought out a nautical-themed show that hopefully would absorb success vapors from the popular Nickelodeon series. The race was on and Cartoon Network appeared to be leading after staff artist Cleve Metapontum pitched a series idea revolving around a rude veterinary dentist who lived aboard ship and serviced various sea creatures—willing and unwilling.
Metapontum had been working as a background artist on
I Am Weasel and conceived the idea after an unstable Burbank dentist flung salt water in his face. (There was a law suit, later settled.)
Cartoon Network executive Laudi Krate quickly spotted the potential of "Dentist" and wasted no time calling Atlanta for instructions. A pilot was ordered and Krate told to 'hustle this one along.'
Under pressure, Krate promoted character designer Higgins Benzine to produce. Benzine was controversial. Despite many years in animation, he could not draw an oval head. Worse, he despised Metapontum whom he considered a 'cubicle ape,' lacking the skill to 'draw a game of Hang Man.'
Often great art emerges from a clash of personalities but not this time. After a series of loud arguments and flung pencils, an angry Metapontum produced a dark 22-minute script in which Sea Dentist extracts the teeth of a tiger shark and cements them into the mouth of a harbor seal who then proceeds to kill and eat a wind surfer. Sea Dentist, employed by "The United Nations Sea Counsel," denies having anything to do with the incident and sails to Panama.
Krate was horrified. The script lacked several key elements considered necessary in children's animation. Among them were likable characters, humor, and no wind surfers slashed to pieces. Metapontum defended his script, claiming, "Dentists are really like that. Seriously." More drafts were ordered and eventually the story acquired a child character while deaths were changed to prat falls, and Sea Dentist became 'crusty but lovable.'
Nevertheless, the caustic chemistry between Benzine and Metapontum poisoned the production. Factions formed and artists would lunch with either producer or show creator. So intense was the hatred that artists in the Benzine camp began losing the ability to draw oval heads. Meanwhile, Metapontum supporters voiced a hatred for dentists and oral hygiene in general.
After several contentious months, an episode was completed in which an acerbic but kindly Sea Dentist aids a killer whale by installing a fixed partial denture (or bridge). Later, in a battle with anti-aquatic dental forces, Sea Dentist falls overboard and is saved by the very whale whom he earlier helped. The story and artwork were a compromise enforced by Krate. Metapontum hated having a dentist portrayed in a positive light while Benzine loathed the art work, claiming the oval heads "looked all wrong."
By now, Atlanta was demanding the pilot. In a frenzy, layouts, model sheets, etc. were shipped to a Korean animation house. But no one figured on Benzine. At his own expense, he flew into Seoul and tinkered with the models. As a result, the human characters lacked oval heads. Sea Dentist had a head that was pumpkin-round with what appeared to be a ramp extending out above his right ear.
Krate and Metapontum went ballistic when they saw the footage, but there was no time or budget for retakes. Krate shipped the program to her Cartoon Network bosses with a cover note praising the 'quirky animation that is also iconic in an unspecified way.'
Despite a compelling all-lute music track, the project was mercifully put down. Like
The Day the Clown Cried, grainy copies of
Sea Dentist circulated quietly throughout the animation world and became the stuff of dystopian legend.
Not surprisingly, Cleve Metapontum, Higgins Benzine and Laudi Crate resurfaced at different studios. And while they would never work together again, this trio was involved with other animated TV shows that managed to miss the airwaves.
Images: fossilsforkids.com and istockphoto
(Forces of Geek once again hosts my cinematic take on an upcoming release.)
(Part one of a Write Enough series on TV animated shows that never quite made it to air.)
After several contentious months, an episode was completed in which an acerbic but kindly Sea Dentist aids a killer whale by installing a fixed partial denture (or bridge). Later, in a battle with anti-aquatic dental forces, Sea Dentist falls overboard and is saved by the very whale whom he earlier helped. The story and artwork were a compromise enforced by Krate. Metapontum hated having a dentist portrayed in a positive light while Benzine loathed the art work, claiming the oval heads "looked all wrong."
For the novice starting a TV animation career, here are seven diamond-encrusted ways to turn your big chance into a cautionary tale for others.
Forces of Geek hosts my latest in-depth look at cinema. This week—The Sitter:
A dark tale of a man who gives fate a tiny assist in order to advance in business, my short story, "Fresh Ideas," will be included in the Spring 2012 anthology Uncle John's Flush Fiction.
Topps Mars Attacks Cards here in all their glory. On the back of each card was a little nugget of story re. the front image as well an update on a Martian invasion of Earth. (In the one to your left, the Martian has a seedy attraction to women's sleep wear.)
Many years ago I was just starting out in improv comedy and worked a night job as a dispatcher for a security guard company. An improv chum lent me her collection of McCaffrey's Dragon Riders of Pern series. As mice skittered around a dirty office in downtown Los Angeles, I'd be transported to this exotic realm where everyone got around by riding a dragon. I wished I had a small dragon. I would let it roam free and eat the mice.
(My latest review is up at Forces of Geek. If time permits, please stop by and comment. In any case, a most Happy Thanksgiving!)
