A 10k along the Sand

Back from Ventura and a weekend 10k. The blessed marine layer stayed on until well after I'd completed my 6.2 miles. In addition to a finisher's medal, I placed first in my age group, beating out another old guy who finished second. My wife, Joy, completed her first 10k. We ran the same serene beaches as hosted my 2021 marathon. After admiring the sea, we met a friend of Joy's at a coffee shop, ate a large breakfast then drove home in our sweaty clothes.
 

 

Bemedaled me outside Ventura City Hall.

O.J. and Sgt. Friday in the Same Room

O.J. back in the day, before Naked Gun and double homicide, listens to Sgt. Joe Friday telling it straight.

 

BirthoftheSly

Marvels Pitch Meeting Restarts the Sun

A bit dated, but worth a peek. I love this comic and his inane writer/Hollywood exec. characters. Watch the writer sell the exec. the klunky plot in Disney's The Marvels.

 

Pitch Meeting

Adrift in a Sea of Unfinished Stories v.2

 

uncoverydiscoveryblog

(Eight years later, not much has changed. Though this year I have submitted three shortie short stories with one rejection. David Mamet had a good take on writer procrastination: It's a way of avoiding the writing of a shit first draft. Interesting.)

Haven't finished a short story in over six weeks. Not even a first draft. Zip. I have no idea what I'm waiting for. Certainly not inspiration. Or the perfect metaphor. Or a really ironic Twilight Zone ending. I'm not even pushing the cursor around the screen, filling pages with swill that I'll edit later. Can't be fear. Whatever it is, I'm not producing.

Only a single short story remains under consideration with a magazine. Maybe I should switch to Flash Fiction until this malaise passes. "Death Honk" was fun, a thousand words, and still floating about online in Microliterature. I recall writing it very quickly. Could not other tales be written equally fast?

Back running and walking again, using my new chi running techniques. This morning, a friend called during my post-run stretch. I took the call and finished tasking my hamstrings, realizing that I'd become the person I swore I'd never be: one who combed physical activity and a phone call. At least this transformation took place in Griffith Park and not a gym, where those nearby would be hostages to my infernal chattiness.

Okay. Away. Keep it short.

 

Sea Dentist v.3

 

( From around 14 years ago, a brief example of things I wrote when I wasn't being paid to write—TV animation, that is. I was writing a whopping great amount of marketing copy.)

 (Part one of a Write Enough series on TV animated shows that never quite made it to air.)

With the growing success of "SpongeBob" in 2000, the TV animation industry sought out a nautical-themed show that hopefully would absorb success vapors from the popular Nickelodeon series. The race was on and Cartoon Network appeared to be leading after staff artist Cleve Metapontum pitched a series idea revolving around a rude veterinary dentist who lived aboard ship and serviced various sea creatures—willing and unwilling.

Metapontum had been working as a background artist on I Am Weasel and conceived the idea after an unstable Burbank dentist flung salt water in his face. (There was a law suit, later settled.)

Cartoon Network executive Laudi Krate quickly spotted the potential of "Dentist" and wasted no time calling Atlanta for instructions. A pilot was ordered and Krate told to 'hustle this one along.'

Under pressure, Krate promoted character designer Higgins Benzine to produce. Benzine was controversial. Despite many years in animation, he could not draw an oval head. Worse, he despised Metapontum whom he considered a 'cubicle ape,' lacking the skill to 'draw a game of Hang Man.'

Often great art emerges from a clash of personalities but not this time. After a series of loud arguments and flung pencils, an angry Metapontum produced a dark 22-minute script in which Sea Dentist extracts the teeth of a tiger shark and cements them into the mouth of a harbor seal who then proceeds to kill and eat a wind surfer. Sea Dentist, employed by "The United Nations Sea Counsel," denies having anything to do with the incident and sails to Panama.

Krate was horrified. The script lacked several key elements considered necessary in children's animation. Among them were likable characters, humor, and no wind surfers slashed to pieces. Metapontum defended his script, claiming, "Dentists are really like that. Seriously." More drafts were ordered and eventually the story acquired a child character while deaths were changed to prat falls, and Sea Dentist became 'crusty but lovable.'

Nevertheless, the caustic chemistry between Benzine and Metapontum poisoned the production. Factions formed and artists would lunch with either producer or show creator. So intense was the hatred that artists in the Benzine camp began losing the ability to draw oval heads. Meanwhile, Metapontum supporters voiced a hatred for dentists and oral hygiene in general.

After several contentious months, an episode was completed in which an acerbic but kindly Sea Dentist aids a killer whale by installing a fixed partial denture (or bridge). Later, in a battle with anti-aquatic dental forces, Sea Dentist falls overboard and is saved by the very whale whom he earlier helped. The story and artwork were a compromise enforced by Krate. Metapontum hated having a dentist portrayed in a positive light while Benzine loathed the art work, claiming the oval heads "looked all wrong."

By now, Atlanta was demanding the pilot. In a frenzy, layouts, model sheets, etc. were shipped to a Korean animation house. But no one figured on Benzine. At his own expense, he flew into Seoul and tinkered with the models. As a result, the human characters lacked oval heads. Sea Dentist had a head that was pumpkin-round with what appeared to be a ramp extending out above his right ear.

Krate and Metapontum went ballistic when they saw the footage, but there was no time or budget for retakes. Krate shipped the program to her Cartoon Network bosses with a cover note praising the 'quirky animation that is also iconic in an unspecified way.'

Despite a compelling all-lute music track, the project was mercifully put down. Like The Day the Clown Cried, grainy copies of Sea Dentist circulated quietly throughout the animation world and became the stuff of dystopian legend.

Not surprisingly, Cleve Metapontum, Higgins Benzine and Laudi Crate resurfaced at different studios. And while they would never work together again, this trio was involved with other animated TV shows that managed to miss the airwaves.

Images: fossilsforkids.com and istockphoto

When Shriners Attack v.3

 

(Every seven years or so, I like to repost this nugget from an earlier time.)

From two years ago, this is a slightly augmented version of my last—to date—offering from the Slush Pile.
 
(Here is the third edition of Tales From The Hollywood Slush Pile exploring the quarter million unsolicited screenplays that perish each year, passed over and forgotten along with their authors. This week we examine a work that sought to explore the depths of paranoia, but just didn't.)

“Dawn and a small Oregon town sleeps deeply like a sloppy drunk on New Year’s day. Suddenly the early morning peace is split by the sound of many tiny engines. 

Then they appear. 

A young women out jogging is the first to see them, riding out of the mist. She screams a forlorn scream of terror and despair and a darker emotion too primal to name but sometimes heard in Costco. 

But it is too late. 

They are many. 

They are Shriners. 

And they have come to rule.” 

Image: betterphoto.com

 
The above passage was taken from an outline prepared by Lisa Manly-Guam. Author of the screenplay, They Came in Little Cars, (originally titled Mark of the Fez). Manly-Guam was a 24-year-old activist from Salem, Oregon. Other than writing this cryptic photo play, she remains a cipher. All we know for certain is that Lisa believed passionately in odd things.

One of her outré fears involved a patriarchal coup undertaken by the Shriners, an offshoot of the Masons. Formed as a fraternal order in 1870, the Ancient Arabic Order of the Nobles of the Mystic Shrine, or Shriners, are noted for charitable works, wearing silly hats and riding little cars in parades. In Manly-Guam’s opus, they are the hidden hand behind the world’s ills, infiltrating politics and banking; biding their time, tugging strings from the shadows.

And then one day they strike.

 In her 1997 tale, the small town of Pine Head, Oregon is overrun by a Shriner horde. Shocked citizens cannot escape and must endure a reign of enforced fun. Our protagonist is the same jogger from the outline, Jenny Loam. In the wake of invasion, she find herself isolated as her parents and siblings embrace the Shriner ethos of good times and service. Loam stays silent, outwardly complying, even joining a Shriner women’s auxiliary, the Daughters of the Nile.

But inwardly, she vows to throw off the Shriner yoke.

Eventually Loam forms a guerrilla band, obtains automatic weapons and ambushes the Shriners at their weekly parade. Steel-jacked slugs riddle the invaders. Little cars crash, bursting into little flames. The Shriners attempt to fight back, hurling water balloons, but they are cut down like bunch grass. The film ends on a close shot of a bloody fez.

Registered with the Writers Guild of America West, Manley-Guam's screenplay landed at Sun Nova Pictures, a small independent production company. The coverage was puzzled.

      “The Shriner Menace failed to deliver. They came across as goofy but benign.”

     “Didn’t the Shriners build a hospital in Pine Head? Killing them sends a mixed message.”
       
     “Perhaps the story would make more sense if Jenny’s parents were maimed by a little car.”

Out of the slush pile and into the wastebasket.

No more is know about the subsequent life of Lisa Manly-Guam and her Shrinerphobic epic. She remains anonymous. But that happens. Unknown authors are as common in this town as…well…unknown screenplays.

But now a lost tale has finally been told.

Free Republic

 

Disney's Prehistoric Business Model

From a few weeks ago, we learn that poor old Walt Disney thought you needed to appeal to parents. Today Disney hires ironwitted wokies and crafts films that appeal to them. A fascinating peek at what no longer exists.

 

Film Threat

Who Can Forget 2013?

Daisie Blog

Most people, myself included. 

Back then I imagined I'd complete 3 fiction ebooks within the year.  These days I am completing one of them, a mystery-thriller about a dystopian Los Angeles--hardly fiction--and a former cop attempting to stop a series of seemingly senseless murders.

First I went through four drafts and printed out material I thought could be shaped into a story. I ended up with a 240 pages of material. Lots of useabale copy. I should have finished this 11 years ago. But I'd feel awful if I never finished it at all.

More soon.