Where I examine how set decorating is EVERYTHING in a motion picture.
A simple apocalyptic story interwoven with gossamer threads of complexity?
Or a curt dismissal of audience expectations regarding cooks and kitchens?
Director David MacKenzie’s love story set in a crumbling world relies on safe character tropes such as the attractive female scientist and the cook who looks like Ewan McGregor.
But despite the protagonists’ likeability there is a disdain for the audience involving kitchens that startled and upset me like a burning mime.
An acre more of review right here.
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