Where I examine how set decorating is EVERYTHING in a motion picture.
A simple apocalyptic story interwoven with gossamer threads of complexity?
Or a curt dismissal of audience expectations regarding cooks and kitchens?
Director David MacKenzie’s love story set in a crumbling world relies on safe character tropes such as the attractive female scientist and the cook who looks like Ewan McGregor.
But despite the protagonists’ likeability there is a disdain for the audience involving kitchens that startled and upset me like a burning mime.
An acre more of review right here.
Subscribe to:
Post Comments (Atom)
Featured Post
John P. McCann Sizzle Page
'Twas suggested I post a few episodes of my work in a pleasant spot. I've chosen here. Sadly, not everything I've written has y...

-
brucezimmerman.com She was born Karen Goodheart. Thirty-five years ago I would tease her by coming up with variations on her maiden na...
-
I've been a slob, a loafer of the first rank in ignoring this blog. And here I stand, on the brink of 20 years of continuous posts to a...
No comments:
Post a Comment