Review: Battle: Los Angeles

This bittersweet romance set before the backdrop of an alien invasion promises much but delivers little. The "battle" is metaphorical, fought between a retiring Marine Staff Sergeant (Aaron Eckhardt) and a Hispanic woman (Michelle Rodriguez) who has come to America to be CFO of a large corporation. She grows bitter after her dream is foiled by a lack of education, knowledge of standard accounting practices, and the inability to speak English. Blaming Eckhardt, Rodriguez shuns him as we watch Los Angeles bombarded by alien war craft. The city's destruction represents the implosion of a relationship collapsing under the weight of failed expectations and unfulfilled desire.

Director Jonathan Liebesman turned often to static master shots followed by long slow pans of LA, letting the camera demonstrate that the search for understanding and passion are endless and futile. In the climatic scene, Liebesman used a locked medium shot of the two characters eating flan. Without touching the camera, Liebesman let the actors convey with action—the pensive holding of a spoon or the irritated sip of espresso—that all was finished—except for the flan, which the Staff Sergeant took back to his unit.

In the end we're left to wonder how the characters met, what they needed, and why they were eating dessert and breaking up in the middle of an invasion. I would rate this two stars out of five for the patient, unhurried pace of the film and the excellent use of flan in a supporting role. (Image: IMDb)