Thoughts for Sunday Evening

Barfly philosophy.

h/t: garyxfloyd

The Devil Inside - Review

Forces of Geek unveils my look at the latest exorcism extravaganza.

Lady Gaga and Mayor Bloomberg Meet the Animaniacs

On ABC last night, I watched these two oddly-paired people drop the Times Square New Year's Eve ball.

As 2011 counted down, all I could think was, "I wish Animaniacs were still on the air." Yakko, Wakko, and Dot would've cleaned up on Gaga and the New York City mayor, not to mention Dick Clark. Dick seemed so blasted he couldn't keep up with the count on screen. He behaved more like an animatronic attraction than a famous fellow.

Nevertheless, today is 2012 and we travel forward into an unsullied new year.

Still, 'Gaga Over New Years' would write itself.

Image: Yahoo! news

Iron Lady Review Up at F.O.G.

Your Write Enough host bemoans all the politics that clutter up The Iron Lady and interfere with a good ghost tale.

Burn away some silly political material and you’re left with the meat of this film— a former British Prime Minister finds herself haunted by a ghost.

This peek at the later years of Margaret Thatcher blurs the line in a mirthful way between living and dead, objective reality and the spectral.

We’re invited to ponder universal questions such as whether we’ll see ghosts if we make it to our 80s—and will our ghosts be as puckish as Mrs. Thatcher’s translucent visitor.

Read more at this particular spot.

Merry Christmas!

Drunks are mangling Karaoke across the street. It's not the same as a choir of angels, but it might be louder. None the less, a most blessed and joyful Christmas to all my family, friends, and social media chums. May the coming year be filled with good fortune for you and bad fortune for Mayan calendar doom-sayers. In the meantime, enjoy the worst Christmas tear-jerker ever.

h/t: theartofmancraft

We Bought A Zoo Review Up at F.O.G.

This week's look at a new release.



A sentimental tale of a family purchasing a zoo, this film swung and missed for our hearts by ignoring CGI and 3D.

Opportunities for an epic scale were jettisoned in favor of old-fashioned story and acting rendered entirely on film.

What could’ve have been the adventure of a lifetime was compressed to an ordinary heart-warming tale about living life and reaching out to others. (As if reaching out to others wouldn’t have been infinitely cooler in 3D.)

More to be read here.

The Hobbit Trailer

I almost wish they would release the whole film in trailer-sized bites so I didn't have to wait until Dec. 2012. Hopefully the Mayans won't destroy the world before the movie comes out. Damn Mayans. Selfish, self-centered people with a stupid calender. No pretty girl pictures on it—anywhere. Did you notice?

h/t: Thissitehere

Paul Rugg - Shed Master

For those of you wondering about the reclusive Paul Rugg, he is in the process of being evicted from his man cave. Resourceful as a fat man outside a locked bakery, Paul staked out a portion of back yard and is having a large shed erected with electric power and a window made of real glass. From here, he will pour out mirth upon the world in a manner and time of his choosing.

See a picture of the shed rising.
Image: behindthevoiceactors

Tom Ruegger's Wonderful Life

Cartoonatics takes a personal look back at Frank Capra's Christmas classic, It's A Wonderful Life. A great film and one I can identify with as a guy who once thought life really cranked up someplace other than where I was. Go read and remember.

Image: downtherabbithole

'Chipwrecked' Review Up at F.O.G.

(Forces of Geek once again hosts my cinematic take on an upcoming release.)

Not since Goin’ Coconuts has a tropical movie misfired on so many cylinders. No amount of witty lines can lighten arson, murder, and a descent into barbarism.

And that’s what awaits in Alvin and the Chipmunks: Chipwrecked.

Read the rest here.

Sea Dentist

(Part one of a Write Enough series on TV animated shows that never quite made it to air.)

With the growing success of "SpongeBob" in 2000, the TV animation industry sought out a nautical-themed show that hopefully would absorb success vapors from the popular Nickelodeon series. The race was on and Cartoon Network appeared to be leading after staff artist Cleve Metapontum pitched a series idea revolving around a rude veterinary dentist who lived aboard ship and serviced various sea creatures—willing and unwilling.

Metapontum had been working as a background artist on I Am Weasel and conceived the idea after an unstable Burbank dentist flung salt water in his face. (There was a law suit, later settled.)

Cartoon Network executive Laudi Krate quickly spotted the potential of "Dentist" and wasted no time calling Atlanta for instructions. A pilot was ordered and Krate told to 'hustle this one along.'

Under pressure, Krate promoted character designer Higgins Benzine to produce. Benzine was controversial. Despite many years in animation, he could not draw an oval head. Worse, he despised Metapontum whom he considered a 'cubicle ape,' lacking the skill to 'draw a game of Hang Man.'

Often great art emerges from a clash of personalities but not this time. After a series of loud arguments and flung pencils, an angry Metapontum produced a dark 22-minute script in which Sea Dentist extracts the teeth of a tiger shark and cements them into the mouth of a harbor seal who then proceeds to kill and eat a wind surfer. Sea Dentist, employed by "The United Nations Sea Counsel," denies having anything to do with the incident and sails to Panama.

Krate was horrified. The script lacked several key elements considered necessary in children's animation. Among them were likable characters, humor, and no wind surfers slashed to pieces. Metapontum defended his script, claiming, "Dentists are really like that. Seriously." More drafts were ordered and eventually the story acquired a child character while deaths were changed to prat falls, and Sea Dentist became 'crusty but lovable.'

Nevertheless, the caustic chemistry between Benzine and Metapontum poisoned the production. Factions formed and artists would lunch with either producer or show creator. So intense was the hatred that artists in the Benzine camp began losing the ability to draw oval heads. Meanwhile, Metapontum supporters voiced a hatred for dentists and oral hygiene in general.

After several contentious months, an episode was completed in which an acerbic but kindly Sea Dentist aids a killer whale by installing a fixed partial denture (or bridge). Later, in a battle with anti-aquatic dental forces, Sea Dentist falls overboard and is saved by the very whale whom he earlier helped. The story and artwork were a compromise enforced by Krate. Metapontum hated having a dentist portrayed in a positive light while Benzine loathed the art work, claiming the oval heads "looked all wrong."

By now, Atlanta was demanding the pilot. In a frenzy, layouts, model sheets, etc. were shipped to a Korean animation house. But no one figured on Benzine. At his own expense, he flew into Seoul and tinkered with the models. As a result, the human characters lacked oval heads. Sea Dentist had a head that was pumpkin-round with what appeared to be a ramp extending out above his right ear.

Krate and Metapontum went ballistic when they saw the footage, but there was no time or budget for retakes. Krate shipped the program to her Cartoon Network bosses with a cover note praising the 'quirky animation that is also iconic in an unspecified way.'

Despite a compelling all-lute music track, the project was mercifully put down. Like The Day the Clown Cried, grainy copies of Sea Dentist circulated quietly throughout the animation world and became the stuff of dystopian legend.

Not surprisingly, Cleve Metapontum, Higgins Benzine and Laudi Crate resurfaced at different studios. And while they would never work together again, this trio was involved with other animated TV shows that managed to miss the airwaves.

Images: fossilsforkids.com and istockphoto