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Granted the industry has been in flux (as have I), but I can't recall a year where there's been so few opportunities. Alas, much of the problem resides within.
I'm terrible at networking. Meet-and-greet events leave me cold. Staying in touch with old co-workers (who have worked steadily over the years) has been sporadic. Market awareness eats. I have no idea what's hot in TV animation right now. Stay current? I'd rather watch The History Channel. And if there's a new animated film out, I'll wait for Netflix.
When I do get an opportunity to pitch a show, I tend to hold back. This is bad habit I've developed to deal with rejection. (If I don't try 100 percent, my work is never 100 percent rejected — and by extension, me.) Marathon running has done a good job of eroding this flaw, since time goals require total commitment.
Work ethic is strong, but lacks focus. Weeks and months pass whenever I develop a show. Then I pitch it around and eat several heaping bowls of "no thanks." Concept crash; big let-down. I often recharge by working on book outlines or screenplay treatments. (New, unsullied ideas always have the greater appeal.) I allow them to fill up time instead of getting back to animation. If I want another staff gig, I have to make that important.
Because the Warner's job arrived unexpectedly back in 1991, I expect something similar to pop up again. It could, though I wouldn't hang from a hook waiting. Alas, active participation in my career is mandatory.
It's so much easier to blame other people. I think I'll keep doing that for another few days.
1 comment:
I can relate. Stagnation City! I'm going to enlist the counsel of a career coach / life coach. I'll be working with Coach D's significant other who is involved in this line of work. I need to get clear on a few things...namely a career path! Talk to me in a few months and I'll let you know how it goes.
-Kiley
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