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Toast Article Riffs on the Origin of the Series
What happened in the room when
Animaniacs was pitched?
Abbey Fenbert over at
The Toast speculates on the keen interplay between creator (represented in the article by "The Animator") and executives as the suits struggle to grasp the purpose and reason of characters with baloney in their slacks. Here's a sample:
"THE ANIMATOR: Did I not explain that Animaniacs is a vaudevillian pastiche? There is no fixed plot, structure, or mythos. Settings and characters leap the time-space continuum with the Warner siblings as the only line of continuity.
For example, let's say Death comes for Wakko at a Swedish meatball-eating contest. Yak and Dot riff on Bergman as they annoy their way out of the bureaucracy of mortality, at which point we shift to Dot's Poetry Corner for a little rhyme time, then onward to the heart of the jungle where we visit Flavio and Marita, a pair of married Italian aristocrats. Who are hippos. Other episodes might see the Warners fighting Captain Ahab, or Chicken Boo becoming a sheriff. Anything's possible.
EXEC #2: Yeah. . . I'm wondering if maybe it's all a little too possible? Establishing limits is an important part of world building.
THE ANIMATOR: Tooncraft defies limits. The art of animation is the constant rearranging and resifting of the lines between illustration and creation. Yak, Wakko, and Dot embrace their cartoon heritage and its antic, violent traditions. Kids will dig it. "
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As regards
Hallow Mass, reader Francis W. Porretto said the following:
"This little novel is such wonderful fun, **and** so effective a horror story in the Lovecraftian vein, that it's almost impossible to do it justice."
If I wore a hat at this moment, I would be tipping it to Francis. To read more of his 5-star review, or pick up a copy, go to
this spot on the fine Internet.