Story Shifts from Slashing to Psyche

b-maze

That makes the writing sound rather highbrow. It's not. This project is an uphill run wearing leg weights.

For the latest book, I've been inspired by two old outlines for the same supernatural detective story, only in different genres: one graphic novel and the other an animated TV series. As one might gather, both outlines are action-oriented, very visual.

As I struggled to develop the outlines into an ebook, the process felt awkward and forced, like two kitchen magnets with similar poles. Nothing fit together. I stopped trying to develop characters and event sequences and started to research various aspects of urban life, Islam, Vikings, and police procedure. Fortunately, I caught myself before ditching yet another book.

The action is still there, but diminished or unseen. Now I'm unsure what kind of tale I have. A minor character grows into a major player, while the main character's psychological struggles assume a larger dimension.

On I go, watching my subconscious sort out all the elements. I find myself being presented with the characters I need to write this book.

Eventually, I'll have a first draft.

Then I can research.

Waltzing Museum

Autry Museum

Sung to the Tune of Waltzing Matilda

Once an Aussie Tourist stood alone in Griffith Park,

Under the shade of a California Oak,

And he asked an old jogger, shuffling 'long the bridal path,

Will you snap a shot of the Autry and me?

Autry Museum, Autry Museum,

You'll photograph the museum with me,

And he sang to his camera, waiting for the jogger man,

You'll photograph the museum with me.

Basically, that's what happened yesterday. As I finished my modest run in hot weather, a short Aussie man in a large Outback Hat asked me to take a picture of him with the Autry Museum of the American West in the background.

Glad to help out a cobber, I took the photo, but realized he was in shadow. Informing my subject that his face was not visible, I suggested he move closer to me and I would change position, thus capturing both features and museum. He agreed, then glided back into the shade.

I gestured him forward to a spot where there was sufficient light. He stepped where indicated, then backed away. There was something in his mind. Something about the composition of the shot. 

Something as solid and immovable as Ayers Rock. Perhaps he'd thought about the photograph with furious concentration, flying over the darkened Pacific between Oz and LA. In any case, it seemed the man held the museum in greater esteem than himself.

After a few more pictures, I returned the camera to this humble fellow from a land far off and commenced stretching my ancient tendons and ligaments.

A pleasant trip and a safe journey back to your island continent, sir.

Or, as Gene Autry himself might have crooned, 'Happy trails to you.'

Chris Ford@flickr