Hallow Mass: You Will Be Triggered

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Novelist and author of The Risen Adam J. Smith shared a few kind thoughts on my horror novel. Over at Stranger Writings, Smith summarized Hallow Mass thusly:

"With Overtones of William Peter Blatty's Humorous Dialogue Style, Hallow Mass is Irreverent, Self-Deprecating And Amusing — A Paranormal Novel with a Personality."

Where one may peruse a review of Hallow Mass.

More importantly, from a domestic stand-point, Smith saluted the book's editing, courtesy of my wife and her many years of magazine production. 

Scroll down the page and read the paragraph. Then swing by Cultured Vultures for Smith's full review. 

Sizzle Reel Update

Medical-actu.com

Family medical problems command my attention these last several weeks. But, lo, gaze upon my updated sizzle reel, containing samples of my work not yet removed from You Tube for copyright violations.

Where Have All the Old Ones Gone?

pixabay.com via Snappy Goat

Video Views Lack of Lovecraft Films

A serious illness in the family continues to absorb much of my time, but I found a few moments to watch a pretty cool short film delving into the paucity of big budget movies based on the works of H.P. Lovecraft. 

(Colour Out of Space? Come on, someone green light that baby. And don't forget the funky English spelling on 'color.' Oh, and what's wrong with pumping cash into Blight, making that a feature length film?)

Lovecraft was an atheist, so settings such as Hell, or story elements involving the threat or Hell, or villains such as creatures from Hell, found no traction in his dream-soaked imagination. So he invented a fictional mythos about the nature of the universe—our cosmos is neither benign nor neutral, but intensely hostile.

H.P. cancels the future. 

In Lovecraft's mythos, caring, rational human beings, working in the best interests of humanity, would not be solving economic disparities and creating a just society. Eventually, humans would be ground underfoot like beetles under a boot—the clever with the dim—or consumed by monstrous beings called Great Old Ones, summoned from eerie dimensions to claim the Earth. (Or else people would go screaming mad and then be crushed or devoured, which is, arguably, a slim difference.) 

Rossatron explores the difficulty in capturing the mythos on film, but offers examples of select elements successfully rendered by various directors such as John Carpenter. Explore his take here:

In other news:

Horror author Samantha Gregory Salutes Hallow Mass

Also going by the handle of S.K. Gregory, the author of After and Daemon Persuasion left fine reviews of my Lovecraftian horror novel on Amazon and Goodreads, seeing within the text an "evil dead vibe . . . with "comedy/horror elements." I'll accept such praise. I surely will.

Jennly Reads Writes Hallow Mass Review

Jennly Reads

A solid assessment of my Lovecraftian story on this fine Sunday morning. The reviewer found the book less a horror tale and "more a dark satirical comedy with a bit of the occult thrown in." Learn more over at Jennly Reads. I'm going now to microwave some bacon.

Book Reviews Anonymous Discovers Hallow Mass

Book Reviews Anonymous

Many thanks to Loretta Lynn for her fine take on my horror novel. She noted that my Lovecraftian story device—the book of dark unholy magic, the Necronomicon—has been mal employed by other writers.

 " . . . Imagine my delight and surprise, then, in Hallow Mass, to find that the book's used as intended. And what a narrative built around it."

Protagonist Mercy O'Connor dodges a number of female tropes to "stand out" as "her own personality,"

Read more over at Book Reviews Anonymous.

Happy Easter!

Buildingontheword.org

A Sunday of religious services, family, and canned ham (surrounded in gelatin that we smother in whipped cream for dessert.) The movie this evening will be Hidden Figures, or an old mystery my wife digs out from her vast collection of old mysteries. A suitable genre on this day.  

Book Review: Your Money or Your Faith in Islamic Spain

The Myth of the Andalusian Paradise: Muslims, Christians, and Jews under Islamic Rule in Medieval Spain by Darío Fernández-Morera
My rating: 4 of 5 stars

Muslims once conquered most of Spain. What was life like for non-Muslims under their control? Christian and Jewish status in the period 711 to 1492 A.D. is the subject of this book. Contemporary accounts often allude to these centuries as a Golden Era of art, science and inter-faith tolerance, presided over by enlightened Muslims.

Professor Fernández-Morera offers an opposing view.

Using various accounts from Muslim, Christian and Jewish sources, we are presented with a Spain twisted by religious tension and marked by periodic uprisings, mass exportation of Christians to North Africa, and subordinate dhimmi status for Jews and Christians living under Muslim rule, forced to pay a tax for “protection.”

Some Jews, at certain times, did hold responsible positions, but their advancement relied less on tolerance and more on an individual Caliph’s distrust of fellow Muslims and the ulama—the religious council that enforced the Maliki version of Sharia law governing Spain at that time.

Given each faith’s exclusionary practices, the subsequent invasion of Spain by even more religiously strict North Africans, and the unrelenting pressure of the Christian reconquest, there seemed little inclination for interfaith dialogue. In Fernández-Morera's work, peace only descended after one faith or the other had been subsumed by the victors.

While readable, the book carries almost a hundred pages of endnotes and bibliography, basically a third of the overall text. I’m glad the author did his homework, but this imbalance left one feeling the main body might be a bit thin.


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